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Concert Reviews
Written by Kelly Glueck Wednesday, 23 March 2011 21:51
When the band had a difficult time getting started on “BOTE,” Harris joked that the crowd could boo, but only if they did it on tempo.
Written by Kelly Glueck Monday, 21 March 2011 11:00
Although each band member had a signature style of playing and interacting on stage, cellist Alexandra Lawn and lead singer Wes Miles stole the show.
Written by Eva Connors Monday, 14 March 2011 13:47
From there they tore through the rest of their set, drinking Guinness and flicking picks across the room. King was beaming.
Written by Jennifer Manjarez Saturday, 05 March 2011 11:41
Don't be discouraged by the thought of hard raving techno music or a loud persistent beat. None of that applies here.
Written by Teresa Montgomery Friday, 04 March 2011 15:32
The only downside of Ben Kweller’s fantastic performance is that it made Pete Yorn’s set seem less powerful in comparison.
Written by Teresa Montgomery Wednesday, 02 March 2011 14:26
People who had been bobbing their heads to Eisley were now jumping up and down madly—and the music hadn't even started yet.
Written by Jeff Myers Wednesday, 02 March 2011 14:19
Performing solo with her assortment of acoustic instruments, Rodriguez was room-filling presence.
Written by Bruce Matlock Wednesday, 02 March 2011 13:13
Forgive me for the comparison but “Ain’t No Rest for the Wicked” may someday be considered Cage the Elephant’s equivalent of Radiohead’s “Creep.”
Written by Teresa Montgomery Wednesday, 02 March 2011 12:40
The crowd was more than ready for him by the time he emerged, though it seemed to take awhile for him to return the openness.
Written by Teresa Montgomery Friday, 25 February 2011 12:46
The messiness of their earlier shows has been replaced by a polish that no doubt comes from years in the industry; they have survived, but there’s something lost in the process of cleaning up.
Written by Nicole Madden Wednesday, 23 February 2011 16:32
Motörhead, Clutch and Valient Thorr wowed a sold out crowd at Pop’s last Sunday night.
Written by Jenn Metzler Monday, 14 February 2011 17:06
On Friday night, the diehards and nerds from all walks descended upon Cicero’s to witness Superfun Yeah Yeah Rocketship in St. Louis one last time.
Written by Kelly Glueck Monday, 14 February 2011 17:02
Monks’ refined, almost overly-poppy Tyson Ritter vocals became a more rigid, folky Colin Meloy. His slightly raw sound made for a pleasant twist to his typically bubbly delivery.
Written by Kelly Glueck Monday, 14 February 2011 16:58
Whereas most encores are between one and three songs, this borderline second set was half an hour long. A few fans drew out their lighters and held them high just long enough for the vocal intro of “Untitled.”
Written by Kavahn Mansouri Monday, 07 February 2011 22:45
Story of the Year is never a show to miss, and once again they provided an exciting evening of heavy jams.
Written by Bruce Matlock Monday, 07 February 2011 22:38
It just feels slightly weird to watch people in Deadmau5 masks and animal costumes get down in a large historic theatre.
Written by Bruce Matlock Tuesday, 01 February 2011 19:27
This is clearly a group of guys who, throughout their time as kings of American arenas and amphitheatres, have absolutely not forgotten about their fans.
Written by Bryan J. Sutter Tuesday, 25 January 2011 01:23
What was once infamous and dangerous is no longer, even if it may still be a good time.
Written by Glen Elkins Thursday, 20 January 2011 13:40
The song would not be out of place in an Apple commercial. Indeed, it was hard to not sway a little and think of ice cream trucks on hot summer afternoons.
Written by Amy Burger Tuesday, 21 December 2010 11:39
It was a stellar performance, complete with added characters and visuals typical of arena-sized productions
Written by Kelly Glueck Wednesday, 08 December 2010 13:21
Shalev was riding on the drummer’s shoulders while Ferstman played without a break, as if he was accustomed to playing with 145 pounds of shifting weight on his upper back.
Written by Corey Woodruff Sunday, 05 December 2010 17:36
After asking someone to “punch the offender in the sternum; it won’t hurt that bad,” he started the song over. All in good fun, of course.More Articles...
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