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Reviews

Star Trek: Into Darkness (Paramount Pictures, PG-13)

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Written by Sean Lass Thursday, 16 May 2013 20:10

film star-trek-darkness_smThe action doesn’t serve the story—but to be fair, the story doesn’t serve the action, either.

 

The Iceman (Millennium Entertainment, R)

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Written by Pete Timmermann Wednesday, 15 May 2013 21:05

film the-iceman_smIt would be hard to think of a more by-the-numbers, unimaginative genre pic.

   

At Any Price (Sony Pictures Classics, R)

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Written by Pete Timmermann Wednesday, 15 May 2013 21:02

film at-any-price_smIt’s one of those movies that is so bad, it’s confusing how it could have ever gotten to be as bad as it is.

 

Leviathan (The Cinema Guild, NR)

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Written by Sarah Boslaugh Wednesday, 15 May 2013 20:59

film leviathan_smLeviathan frequently feels like a series of paintings come to life—and that’s a compliment.

   

In the House (Cohen Media Group, R)

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Written by Pete Timmermann Wednesday, 15 May 2013 20:55

film in-the-house_smYou’ll be just as hooked by Claude’s stories as Germain is by the time the film is over.

 

The Reluctant Fundamentalist (IFC Films, R)

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Written by Jim Dunn Thursday, 09 May 2013 22:13

film reluctant-fundament_smWhat unfolds can be seen as a tale of promise gone wrong, but it is also one, like Changez, that asks the viewer to put aside assumptions and wait for the full story.

   

The Great Gatsby (Warner Bros., PG-13)

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Written by Pete Timmermann Thursday, 09 May 2013 20:54

film great-gatsby_75To watch it is akin to watching a particularly kitschy 2½-hour music video that vaguely tells the tale of Gatsby.

 

Iron Man 3 (Walt Disney Motion Picture Studios, PG-13)

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Written by Matthew Newlin Thursday, 02 May 2013 21:20

ironman3 75Even before Iron Man 3 had ended, I knew I would be going back to see it again.

   

Starbuck (Entertainment One, R)

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Written by Matthew Newlin Thursday, 02 May 2013 20:57

starbuck 75A film like Starbuck fails or succeeds on the strength of its lead actor, and writer/director Ken Scott struck gold with Huard.

 

Pain and Gain (Paramount Pictures, R)

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Written by Sean Lass Thursday, 25 April 2013 21:11

painandgain 75Dumb people doing dumb things and getting into a lot of trouble in the pursuit of money.

   

Mud (Lionsgate/Roadside Attractions, PG-13)

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Written by Pete Timmermann Thursday, 25 April 2013 21:00

mud 75Being a young boy and finding a boat stuck up in a tree in which you and your friends can play invites all kinds of fun daydreaming.

 

From Up on Poppy Hill (GKIDS, PG)

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Written by Pete Timmermann Friday, 19 April 2013 11:15

fromuponpoppy 75It’s hard to blame anyone but Goro Miyazaki for this mess; he just seems to be lacking the overall flair needed to be a successful director of animation 

   

Oblivion (Universal Pictures, PG-13)

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Written by Sean Lass Friday, 19 April 2013 11:07

oblivion 65There are many twists and turns along the way. The problem is, try as I might, I didn’t care about any of them.

 

To the Wonder (Magnolia Pictures, R)

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Written by Sean Lass Thursday, 18 April 2013 13:35

tothewonder 75I don’t love all his films, but I love the way he makes films.

   

42 (Warner Brothers, PG-13)

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Written by Sean Lass Thursday, 11 April 2013 20:21

42 75This is a subtle story of a man who knows what he is doing, internalizes his feelings, and persists until the world is forced to change around him.

 

The Place Beyond the Pines (Focus Features, R)

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Written by Pete Timmermann Thursday, 11 April 2013 20:10

pines 75The movie as a whole is a fairly major disappointment, and I just can’t tell you specifically why with a clear film critic’s conscience.

   

Trance (Fox Searchlight Pictures, R)

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Written by Pete Timmermann Thursday, 11 April 2013 20:02

trance 75It isn’t all bad, but seeing mediocre film after mediocre film from Danny Boyle is so frustrating.

 

Evil Dead (TriStar Pictures, R)

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Written by Sean Lass Thursday, 04 April 2013 22:31

evildead 75For a lot of people, the gore is enough to carry the film and make this a good experience.

   

Beyond the Hills (Sundance Selects, NR)

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Written by Pete Timmermann Thursday, 04 April 2013 22:22

beyondthehills 75Beyond the Hills is a much tougher movie to get into on its surface, but it rewards those who are patient.

 

The Sapphires (The Weinstein Company, PG-13)

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Written by Cate Marquis Thursday, 04 April 2013 22:13

sapphires 75Sassy, funny characters, dryly biting humor delivered by a good cast, a touch of romance, and a great soundtrack make this film a whole lot of fun.

   

G.I. Joe: Retaliation (Paramount Pictures, PG-13)

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Written by Sean Lass Thursday, 28 March 2013 11:38

film gi-joe_75It's awful and awesome in equal measures, and as a guilty pleasure, you could do a lot worse.

 

No (Sony Pictures Classics, R)

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Written by Sean Lass Wednesday, 27 March 2013 19:43

film No_75It's weird to think that the future of a dictator's reign could be decided by such a simple vote.

   

Ginger & Rosa (A24, PG-13)

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Written by Sarah Boslaugh Wednesday, 27 March 2013 00:00

film ginger-rosa_75The great gift of Ginger & Rosa is the director's willingness to let her camera observe these gifted young actresses without judgment.

 

The Silence (Music Box Films, NR)

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Written by Sarah Boslaugh Tuesday, 26 March 2013 20:01

thesilence 75It’s part police procedural and part psychological study, with more than just genre thrills to offer.

   

Admission (Focus Features, PG-13)

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Written by Cate Marquis Tuesday, 26 March 2013 19:42

admissions 75We are left with a romantic comedy that should have had more laughs and more romantic spark, or a dramedy that misses the mark.

 

The Croods (Twentieth Century Fox Film Corp., PG)

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Written by Matthew Newlin Thursday, 21 March 2013 08:38

film croods_75The cast is all terrific, especially Emma Stone, who continues to prove that there isn't anything she can't do.

   

West of Memphis (Sony Pictures Classics, R)

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Written by Pete Timmermann Thursday, 21 March 2013 08:28

film west-of-memphis_75It isn't a remake, but instead a new documentary on the same topic as the old documentaries.

 

On the Road (IFC Films/Sundance Selects, R)

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Written by Pete Timmermann Thursday, 21 March 2013 08:24

film on-the-road_75While the movie is about as good as it could have possibly gotten under the circumstances, here it is perhaps just mediocre at best.

   

Spring Breakers (A24, R)

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Written by Pete Timmermann Thursday, 21 March 2013 08:16

film spring-breakers_75It's rated R, and thoroughly unwholesome. And there's more.

 

The Waiting Room (International Film Circuit, NR)

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Written by Sarah Boslaugh Thursday, 21 March 2013 08:11

film waiting-room_75As one physician notes, the emergency department is no place to manage someone's health.

   

Stoker (Fox Searchlight Pictures, R)

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Written by Pete Timmermann Friday, 15 March 2013 08:18

film stoker_smStoker is one of those movies that's boring and vaguely irritating most of the way through.

 

The Gatekeepers (Sony Pictures Classics, PG-13)

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Written by Sean Lass Thursday, 14 March 2013 19:52

film gatekeepers_smOne former head of the Shin Bet argued that morals had nothing to do with his job.

   

The Incredible Burt Wonderstone (PG-13, Warner Bros.)

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Written by Adrienne Jones Thursday, 14 March 2013 19:35

film burt-wonderstone_smThe gags are frequently laugh-out-loud funny; after an outlandishly public falling out, though, the movie stalls.

 

Lore (Music Box Films, NR)

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Written by Sarah Boslaugh Wednesday, 13 March 2013 20:30

film lore_smLore manages to be both a thriller and a highly introspective film focused on primarily on the girl’s emotional and intellectual maturation.

   

Like Someone in Love (Sundance Selects/IFC Films, NR)

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Written by Pete Timmermann Wednesday, 13 March 2013 20:18

likesomeone 75In his second departure from his native Iran (Certified Copy was filmed in Tuscany), Like Someone in Love is set in Tokyo.

 

Oz the Great and Powerful (Walt Disney Pictures, PG)

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Written by Sean Lass Thursday, 07 March 2013 14:12

ozthegreatandpowerful 75I don’t know that I needed a prequel to The Wizard of Oz, but I like this version of a reboot, as opposed to simply remaking a classic.

   

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