Written by Karen Brandt Friday, 22 February 2008 08:15
The language is beautiful, but with its elevation comes the problem of obscurity.
Written by Karen Brandt Friday, 22 February 2008 08:12
Rice recounts typical guy-girl relationships with a "love her, leave her, and long-for-her-later" attitude.
Written by Sheila Shahpari Friday, 22 February 2008 08:10
"Sometimes being a genius is just waking up in the morning."
Written by Amy Burger Friday, 22 February 2008 08:07
As they'd say in 1983, from the moment the needle hit the vinyl (this was the pre-CD era), it was on, and it was pure gold.
Written by Amanda Pelle Monday, 18 February 2008 05:52
Selftitled samples generously from the spice rack of genre as Russell seeks to uncover his musical identity.
Written by Josh Vise Monday, 18 February 2008 05:50
The Bedlam in Goliath is The Mars Volta's way of counteracting Soothsayer's evil curse by way of disseminating its power to the listeners.
Written by Jim Ousley Monday, 18 February 2008 05:47
Davies ratchets up the creepy factor for a tune so thick in atmosphere that you can smell the leaves, hear the wind howl, and feel the humidity form sweat beads on your neck.
Written by Ryan Parker Friday, 15 February 2008 07:07
Many of the songs have a definite storytelling aspect that seem to fit in well with the "sittin' on the porch" nature of bluegrass.
Written by Raymee Holshauser Friday, 15 February 2008 07:02
Broken Down Figure is both sad and hopeful, showing off Saw's songwriting chops and lyrical ability.
Written by Josh Vise Friday, 15 February 2008 06:59
Eat Sugar is one of those groups whose sound encompasses several genres without conforming to any single one.
Written by Jaffa Aharonov Friday, 15 February 2008 06:56
Really, it's okay to sound like yourself, right?
Written by Rebecca Reardon Friday, 15 February 2008 06:47
These are bands that blend seemingly disparate genres to create anthemic, thought-provoking tracks that rock listeners out of their apathetic stupor.
Written by Josh Vise Friday, 15 February 2008 06:43
Each song seems tailor-made to be the soundtrack of a high-speed chase.
Written by Laura Hamlett Friday, 15 February 2008 06:37
Fractured Life is gritty Brit-pop, indie rock, dance-inducing, upbeat pop, mellow, reflective, soothing AAA...
Written by Kevin Renick Wednesday, 13 February 2008 06:43
Love in October, an emo-type foursome led by Swedish brothers Erik and Kent Widman, may be based in Minneapolis, but that adrenaline-charged sound you hear will be familiar to anyone who's heard The Hives.
Written by Josh Vise Wednesday, 13 February 2008 06:38
Fredrik Thordendal and Mårten Hagström assault the ears with a guitarist's interpretation of tectonic plates colliding.
Written by Jaffa Aharanov Wednesday, 13 February 2008 06:30
The fat and fuzzy bass-heavy guitar of the title track makes me immediately think of Kill Rock Stars labelmates and fellow residents of the Northwest, The Gossip, but with male vocals instead of Beth Ditto's soulfulness.
Written by Amy Burger Wednesday, 13 February 2008 06:27
Free Somehow is the band's first studio effort featuring songs that were not previously "road tested" onstage in live performances.
Written by Alex Bates Wednesday, 06 February 2008 14:17
The songs are mellow getting mellower, and it's an easy album to listen to.
Written by Jaffa Aharonov Wednesday, 06 February 2008 14:14
Before more words are said, I must confess to having a bit of a soft spot for dramatic romanticism in song.
Written by Jason Neubauer Wednesday, 06 February 2008 14:07
His talent as an instrumentalist and lyricist are showcased in a way that keeps his music free of distracted bravado and long solos
Written by Rebecca Reardon Wednesday, 06 February 2008 14:03
Truly great pop song, with tight harmonies. The lyrics are a bit twee. But Lane sounds so sweet, I don't mind.
Written by Carl Hines Friday, 01 February 2008 04:20
Each track is strong enough to stand on its own, all the while perfectly contributing to the cohesiveness of the work as a whole.
Written by Kevin Renick Friday, 01 February 2008 04:18
The plaintive vocals and stately Americana trappings of "Life in a Box" reveal the band as more than competent craftsmen, while the alt-country "Estelle" is pure, uninhibited fun.
Written by Eammon Azizi Friday, 01 February 2008 04:00
The Nervous System is a quick, enjoyable ten-song folk rock album with enough creativity, edge, pop and variety to keep it interesting all the way through.
Written by Jason Green Friday, 01 February 2008 03:54
Track 7 shows what potential there was in Bonvalet's original idea, with a gently plucked acoustic guitar backed only by the sound of pouring rain.
Written by Rebecca Reardon Friday, 01 February 2008 03:46
Even after several listens, I never really got over my Yeah Yeah Yeahs déjà vu.
Written by Todd McKenzie Thursday, 24 January 2008 07:29
She doesn't sing about prostitutes or pushers; instead, she weaves intricate tales about crushes and teenage identity crises.
Written by Alex Hodschayan Thursday, 24 January 2008 07:27
Upon first listen, I couldn't help wondering if Ladyhawk had spent too much time listening to Jason Molina.
Written by Joshua Vise Thursday, 24 January 2008 07:19
Earthworms manage to successfully avoid the sophomore curse by keeping up the momentum and sticking to their real strength.
Written by Glen Elkins Tuesday, 22 January 2008 13:20
With a sound less fresh than its predecessors, Cassettes Won't Listen still manages a fun, enjoyable disc.
Written by Kevin Renick Tuesday, 22 January 2008 13:11
There's something about hearing a male voice reaching for that challenging, octave-stretching high note—and nailing it—that is utterly sublime.
Written by Gabe Bullard Monday, 21 January 2008 03:02
While this album sounds great, it's a lot to take at once. Even though the 14 songs add up to about 40 minutes, the stream of short tunes provides a sensory assault that causes even the smoothest sound to wear on the eardrum.
Written by Glen Elkins Monday, 21 January 2008 03:01
The dense and meaningful lyrics make Weightless anything but, as he demonstrates his adept ability to join substantive words with catchy melodies.
Written by Kevin Renick Friday, 18 January 2008 02:40
What truly pervades is a sense of patience; the band wants to nail a certain mood here, and they're not the least bit interested in showing off their chops or proving how diverse they are.
Written by Katie Cook Friday, 18 January 2008 02:36
Marshall has a way of taking what is familiar, fixed, or at the very worst, stale, and uniquely contemporizing it for a new time in music.
Written by Keith Mangles Tuesday, 15 January 2008 08:05
I find myself humming the vocal parts and the bass guitar parts to "Production City," the second track.
Written by Gabe Bullard Tuesday, 15 January 2008 08:01
Really, the only three words that fit this album are "LISTEN RIGHT NOW."
Written by Joseph O'Fallon Monday, 14 January 2008 01:49
A good portion of Moonbeams shies away from the playful Boy Least Likely To elements, and instead embraces, especially vocally, a Casiotone for the Painfully Alone or Robot Ate Me feel.
Written by Todd McKenzie Monday, 14 January 2008 01:39Sonically, Distortion is about as much of a 180 as one could expect after the quiet, acoustic chamber pop of the band's previous effort, i.
Written by Gabe Bullard Tuesday, 08 January 2008 14:52
So, while everyone from frat boys to library clerks moving their buns to Vampire Weekend, what's left for the serious music fan to appreciate?
Written by Jason Green Tuesday, 08 January 2008 14:26
Rather than continuing in the vein of Beyond Good and Evil or branching off in a new direction, the Cult of ‘07 seems content to try to rock out with their cock out like it's 1989.
Written by Pete Timmermann Monday, 07 January 2008 08:41
Really, the Juno soundtrack might as well be a best-of Kimya Dawson record.
Written by Sam Levy Tuesday, 18 December 2007 03:04
As they built The Deep City Label release and turned over the rocks, a giant web emerged: names and leads and stories of late-night jam sessions in the Magic City.
Written by Eammon Azizi Tuesday, 18 December 2007 02:57
If you're a fan of piano-based rock with light attitude, then you'll really enjoy listening to Ian Axel and his band's musical craft.
Written by Kevin Renick Wednesday, 12 December 2007 13:52
If Dybdahl isn't necessarily blinding you with Science, he sure is beckoning you with it, albeit in a shy, Nick Drake-ish manner.
Written by Kevin Renick Wednesday, 12 December 2007 13:45
This incredibly talented ensemble conceive a fiery blend of Middle Eastern exoticism and the folk traditions of the Balkans.
Written by Gabe Bullard Friday, 07 December 2007 08:34
It's like singer Johnny Clay is looking at a history book, but acting like he's just found a stack of pictures of his ex-girlfriend.
Written by Kevin Renick Friday, 07 December 2007 08:31
In the lyrics, the music and the fresh, energized arrangements here, there's a definite joie de vivre at work; you can clearly tell D'Arcy enjoys doing this pop music thing.
Written by Laura Hamlett Monday, 03 December 2007 09:47
It's the intricate interplay of instruments—guitars, keyboards, violin and effects—combined with Brandon Rice's eerie, almost angry vocals that defines this band.
Written by Kevin Renick Monday, 03 December 2007 09:44
"Hourglass" proudly establishes itself as a piece of pure ambient melancholia, waving across the fence at its close friends, film music and classical.
Written by Jason Neubauer Monday, 03 December 2007 09:29
Front man Michael Algar (stage name Olga) has been the only constant in the abundance of incarnations the band has endured since 1979, and he's everyone's friend. Really.
Written by Laura Hamlett Monday, 03 December 2007 09:27
Craig is perhaps at his most Damien Rice on the title track; the instrumentation simple and stripped down, his rough-coated voice stands tall.
Written by Laura Hamlett Monday, 03 December 2007 09:25
The result is an at times Cole-esque collection of introspective tales, delivered via laidback, smooth-as-silk vocal style.
Written by Gabe Bullard Thursday, 29 November 2007 02:18
On one of the standout tracks, "Lost," the group sounds remarkably isolated, yet oddly upbeat.
Written by Gabe Bullard Wednesday, 21 November 2007 09:45
While the instrument isn't known for its complexity or grit, in Dewan's hands the autoharp turns into a musical Swiss Army Knife, suitable for ballads, stomps and dissonant aural punches.
Written by Gabe Bullard Wednesday, 21 November 2007 09:43Even though it hurts to hear at high volumes, and even though the lyrics are all basically "I hate everything, I live my life right, unlike you, but I'm still miserable," I loved this EP.
Written by Raymee Holshauser Thursday, 15 November 2007 01:07
This collection is impressive. But what's more impressive is that these songs are still relevant, still important, still really amazing and these songs have touched so many different generations on the way.
Written by Jason Neubauer Thursday, 15 November 2007 01:03
Once again affirming their distinctive garage sound with Here We Are, The Cynics have managed to synthesize the same fuzzy 1960s style appeal that has been their trademark with lyrical sophistication that can only be described as thoughtful exploration of their already established raw talent. Think of the music itself as a broadsword and the lyrics as a scalpel.
Written by Jason Green Thursday, 15 November 2007 01:00
The non-chronological tracklisting helps draw attention to songs that work better in an album context than they did as radio singles; the folk-y guitar-and-banjo number "Sympathy," in particular, never sounded so good as it does as a lead-in to "Iris."
Written by Paul Little Thursday, 15 November 2007 00:56
More than anything else, Maxtone Four want to rock your ass and make you feel good.
Written by Laura Hamlett Tuesday, 13 November 2007 10:52
Lee's gone a teensy bit over the upbeat edge, as Ripe veers a bit too often into schmaltzy territory.
Written by Jason Green Tuesday, 13 November 2007 06:05
It all comes together on the back-to-back whammy of the club-ready anthems "Love Addict," whose hook is so dirty it could have only come from the Dirty South, and "Earthquake," with crunktastic keyboards, whipcrack drums, and even chanting cheerleaders to get the asses shaking.
Written by Eammon Azizi Tuesday, 13 November 2007 01:42
No question, fans of Skid Row or any other Bach endeavor are sure to be pumping their fists once Angel Down comes roaring from their stereo speakers.
Written by Gabe Bullard Saturday, 10 November 2007 09:24
D-Sides caters almost perfectly to hardcore Gorillaz fans. The kinds who follow the cartoon mythology and buy the collectibles, or those who are drawn to pick up a Roland or Casio after hearing "Dirty Harry" on the radio.
Written by Glen Elkins Saturday, 10 November 2007 09:15
The disc avoids this trite compost heap by blending unique swathes from the musical palettes of Machin and Glover, creating a tapestry of sonic possibilities.
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