Written by Kevin Renick Monday, 08 October 2007 02:03
This thing is meant to be listened to, to thoroughly immerse yourself in like classic rock albums of yesteryear compelled you to.
Written by Gabe Bullard Monday, 08 October 2007 02:00
The difference between Biffy Clyro and bands like QOTSA and RATM is inventiveness. Instead of pioneering, the Scottish trio retreads, further clarifying the line between talented musicians and talented songwriters and performers.
Written by Pete Wissinger Monday, 08 October 2007 01:57
The Flying Club Cup sees Beirut's Zach Condon combining his Eastern European roots with a tinge of French pop crooning.
Wednesday, 03 October 2007 09:30
White Chalk is a deceivingly stripped-down album which finds Harvey painting chilling stories that settle uncomfortably in the head, often coming back to haunt the listener long after the disc has stopped revolving.
Written by David Lichius Tuesday, 02 October 2007 16:15
Any expectations of an upbeat nerd-pop record are quickly squashed.
Written by Eammon Azizi Tuesday, 02 October 2007 16:10
Overkill are true heroes and veterans of their genre, proving once again they know exactly what their fans want.
Written by Rebecca Reardon Tuesday, 02 October 2007 16:06
You're actually just what Luscious Jackson fans like me should really dig.
Written by Kevin Renick Tuesday, 02 October 2007 15:58
Liars is just as freaky and formula-defying as before—it's just that there isn't a theme or concept this time per se, unless the concept is Liars simply trying to make music without a fictional backdrop.
Written by David Lichius Tuesday, 02 October 2007 15:53
To phrase it quite simply, Les Savy Fav is an incredible rock band. And whether it is frowned upon or not, LSF do have a "party" quality to them.
Written by Jim Ousley Tuesday, 02 October 2007 15:49
VHS or Beta are reinventing themselves by aiming for the radio as well as the clubs; the hooks on Bring on the Comets come as fast and furious as the beats.
Written by Kevin Renick Wednesday, 26 September 2007 01:28
This album is all about feel, and you can't manufacture that. Feel has to be an organic thing, kids.
Written by Leah Martin Tuesday, 25 September 2007 14:11
I actually had the urge to do the robot in my chair, from this track on for the full 37 minutes of the album.
Written by Gabe Bullard Tuesday, 25 September 2007 14:02
The three claim they didn't set out to be a folk group, or to make a folk record. They've failed. Invitation Songs is the best folk albums in years.
Written by Eammon Azizi Tuesday, 25 September 2007 13:55
Overall, it's a seriously upbeat, rockin' 28-minute listen that offers nothing even close to a ballad.
Written by Jason Green Monday, 24 September 2007 07:22
Norway's greatest fictional metal band comes alive on this soundtrack from the the Cartoon Network/[adult swim] smash hit series Metalocalypse, just in time for the premiere of the show's second season.
Written by Amanda Pelle Thursday, 20 September 2007 02:14
Standing barefoot on the stage of a crowded room, Lenker addresses the audience with a demure yet unapologetic pout on her lips.
Written by Leah Martin Thursday, 20 September 2007 02:03
They consider themselves "flower punk," the meaning of which is unclear—perhaps a reference to a Frank Zappa song—and for a punk band, they certainly attempt to convey a varied message.
Written by Kevin Renick Sunday, 16 September 2007 13:51
There is always a sense of forward motion in their music: a unique flow, an aesthetic that seems to almost survey the details of the beauty and vastness all around them.
Written by Gabe Bullard Sunday, 16 September 2007 13:35
While 45:33 was supposedly made for joggers to listen to while working out, A Bunch of Stuff seems destined for club DJs and people who aspire to be club DJs.
Written by Kevin Renick Sunday, 09 September 2007 09:32
Rilo Kiley have made a perfectly delightful, tightly arranged record, a lean, fat-free collection of 11 tunes that broadens the sonic palette a little bit.
Written by Kevin Renick Thursday, 06 September 2007 14:23
But the meat of the album comes with tougher tracks like "Balloon Factory," which goes on about the virgin mother being seen on the face of a balloon, while distorted, exuberantly weird vocals breathe fire and deliver a ripping chorus of "Whang-diddly dang dang."
Written by James Nokes Thursday, 06 September 2007 14:19
What began in a Folsom, Calif., garage has taken these three brothers and friend on a journey of textural rhythms that verge on what the band calls ethereal rock 'n' roll.
Written by James Nokes Thursday, 06 September 2007 14:15
Benzos' sophomore album, Branches, attempts to seamlessly blend the ambience and rhythm of early underground dance and experimental electronic music with lush, rock-based guitars and soaring vocals.
Written by James Nokes Thursday, 06 September 2007 14:10
Alina Simone's sophomore release, Placelessness, expands upon the minimalism of her debut EP, Prettier in the Dark, this time with a stronger sensitivity and the addition of sandpaper and a filing cabinet.
Written by Nickolas Blazina Thursday, 06 September 2007 14:02
The band has grown far past the precocious teens of the mid-'90s dubbed "Nirvana in Pajamas" by the mainstream U.S. press.
Written by Jeremy Goldmeier Monday, 03 September 2007 13:58
The biggest detriment to The Else is that it merely settles for being clever, instead of aspiring for that heady ingenuity that has kept TMBG relevant for so long.
Written by Glen Elkins Thursday, 30 August 2007 14:18Fjord Rowboat package a strong, vibrant sound into a collection of indie-rock tunes more along the lines of Doves or Interpol. And they do so impressively.
Written by Tracie Tomlinson Thursday, 30 August 2007 14:07
Colton Holliday sings with such passion and conviction that it's hard not to believe every word he sings. No matter the tone of the song or the subject of the lyrics, he is able to convey its idea.
Written by Laura Hamlett Thursday, 30 August 2007 13:54
I'm struck instantly of the amazing power of music. This song makes me want to cry: that's how deeply the voice and the notes combine, drawing a swell of emotions, of experiences, of memories and living life and feeling completely connected to all that surrounds me.
Written by Laura Hamlett Thursday, 30 August 2007 13:50
The songs touch heavily on themes of heartbreak, infidelity and failure to commit; compositionally, they range from sparse and simple to fully orchestrated and swelling.
Written by Laura Hamlett Thursday, 30 August 2007 13:47
This is truly an aural pleasure, a distinct and engaging listening experience more than a lyrical discovery.
Written by Laura Hamlett Thursday, 30 August 2007 13:44
I hate to think that contentment kills creativity—really, must all artists be tortured and miserable?—but numerous listens to Some Mad Hope have left me uninspired.
Written by Jason Neubauer Monday, 20 August 2007 14:47In their 17 years together, they have seen and done just about everything a late-breaking musician would name as an aspiration.
Written by Gabe Bullard Monday, 20 August 2007 14:43
The songs here aren't retro, they're timeless—but not in a classic way. This album will never be irrelevant, but it won't ever really fit, either.
Written by Sam Levy Monday, 20 August 2007 14:39
The Numero Group is brilliant at capturing stories that share a common, forgotten-by-time legacy. Michael Jackson is the only surviving member of Kid Soul, a genre that exploded, and imploded soon after.
Written by Raymee Holshauser Monday, 20 August 2007 14:34
I love the various textures of the male voice and Mark Ferrino's is pure and interesting. He adds emotion and creates a radiant pop/rock vibe.
Written by Rebecca Reardon Monday, 20 August 2007 14:30
The International is guitar-driven, jagged and danceable, right from the declarative first track. I started singing along right away, always a good sign.
Written by Amanda Pelle Monday, 20 August 2007 14:24
The album opens with "That's What Lovers Do," evoking the image of a passionate couple making love by the fire, snowflakes drifting outside the window and shadows dancing on the walls.
Written by Gabe Bullard Monday, 20 August 2007 14:20
The band used to quote Gary Numan when referencing relationships; now they sing about listening to Nat King Cole. The irreverence is there, but the attitude isn't.
Written by Rebecca Reardon Monday, 20 August 2007 14:18
Their bandmates didn't appreciate Light and Blonde's makeout sessions during practice, so the duo became The Lovemakers, and built itself a following from Oakland to San Francisco.
Written by Alex Hodschayan Friday, 10 August 2007 08:24
More energetic then most of their material, "Transistor Kids" has something for everyone, with a resonance to make you feel all warm and fuzzy inside while the drums in the background rage on like battle drums.
Written by Mike Tangaro Tuesday, 31 July 2007 13:54
Calgary's The Cape May's sophomore album, Glass Mountain Roads, has a lot in common with a fresh box of warm, soft donuts.
Written by James Nokes Saturday, 28 July 2007 11:05
Man in Gray, boasting high-volume, pop-structured sounds encased in a crunchy shell of volume and confusion debuts with I Can't Sleep Unless I Hear You Breathing, a polyamorous union of soul, British folk, and hardcore punk.
Written by Kevin Renick Saturday, 28 July 2007 11:03
Such a record better at least evoke the search for the American dream, love and loss in the heartland, the feel of traveling on vast, open stretches of highway, the hope of an immigrant searching for a better life, etc.
Written by Brian Potts Saturday, 28 July 2007 11:01
Sayles and Co. have obviously never heard of the phrase "verse, chorus, verse, chorus." Rarely in their songs do parts repeat more than once.
Written by Joseph O'Fallon Saturday, 28 July 2007 10:59
The Go should be recognized as more than the band Jack White played with in the '90s.
Written by Glen Elkins Saturday, 28 July 2007 10:53
Nine Lucid Dreams, sounds like it escaped 1997 and somehow found its way into this century.
Written by Katie Herring Saturday, 28 July 2007 10:50
She is oozing with potential and my prediction is that her next album is going to kick Don't Look Away's ass, after she gets a little bit more life experience and a little bit more love and loss under her belt.
Written by Kevin Renick Saturday, 28 July 2007 10:44
As you draw closer to the source, you hear that it's some kind of lush, strange music with a female singer. You're captivated, even at this distance.
Written by James Nokes Saturday, 28 July 2007 10:40
Strange and surprising, the sophomore release from Angel and the Love Mongers, The Humanist Queen, despite its peculiar titling manages to capture a catchy mish-mash of Depche Mode-like vocals and a sound reminiscent of The Cure, Morrissey, and Pulp.
Written by Mike Tangaro Saturday, 28 July 2007 10:38
Each song changes direction without notice. Vocals flutter in and out of the mix, trumpets flare and then disappear into quiet, and drums pounce vibrantly before settling into a soothing beat.
Written by Jason Green Saturday, 28 July 2007 10:35
This is heavily intricate, wildly experimental instrumental jazz that rocks with punk-like abandon.
Written by Kevin Renick Saturday, 28 July 2007 10:27
This six-piece psych-tinged Americana ensemble, headed by songwriters Phil Weinrobe and John-Paul Norpoth, just seems to know something other bands don't. Or maybe they care more.
Written by Jeremy Goldmeier Saturday, 28 July 2007 10:19
They sing as one, allowing for a constant, delicate interplay between the two. The result is often folk music at its most enchanting.
Written by Glen Elkins Thursday, 19 July 2007 07:07
In "Be Good or Be Gone," Regan embraces the best things about the singer/songwriter genre, creating a sincere, honest depiction of a man and his songs.
Written by Amy Burger Wednesday, 18 July 2007 08:25
The album is a celebration of one of the greatest American rock bands playing at one of the greatest venues in America.
Written by Rebecca Reardon Tuesday, 17 July 2007 09:03
Girls and boys, your prayers for yet another emo-goth-punk band of black-haired, pierced-lipped lads to feverishly adore and befriend on MySpace have been answered.
Written by Jim Campbell Wednesday, 11 July 2007 04:28
Not only is the energy notably lacking on each track, the production quality of the entire album falls flat. It fails to pop, sizzle, or even appear interesting.
Written by Gabe Bullard Wednesday, 11 July 2007 04:25
For a "greatest hits" of sorts, it doesn't showcase Buckley's talents. Instead, it goes for the obvious appeal. The tracks chosen for this collection show Buckley's most commercial and instantly appealing side, the side that I grew to dislike over the years.
Written by Jim Campbell Wednesday, 11 July 2007 04:23
I was hoping "Commercial Break" would be interesting, full of eerie rhythms and non-sequitur lyrics, but once again the song seemed to ramble on with no point or meaning.
Written by Rebecca Reardon Wednesday, 11 July 2007 04:20
That afternoon, I ejected the CD I intended to review first and popped in the sophomore effort from Great Lakes Myth Society. "OK, indie band I've never heard of," I thought to myself, "wow me."
Written by Pete Timmermann Wednesday, 11 July 2007 04:19
Among indie bands, Spoon's CD structure often feels the most like Top 40 bands, insofar as their CDs tend to have two or three really good songs, and then a lot of filler.
Written by Mike Tangaro Monday, 09 July 2007 15:06
If imitation is the best form of flattery, consider The Kinks flattered after a spin of You're My Lover Now.
Written by Amy Burger Monday, 09 July 2007 14:07
If you're not a fan of horns, this album may not be for you, as it is saturated with them. If you are a fan of them, as I am, it will quite literally blow you away.
Written by Joseph O'Fallon Monday, 02 July 2007 09:17
Like the White Stripes' Icky Thump, Oh Perilous World finds Rasputina staying true to its fans and prior work, with fewer turnoffs to the less experimental fan.
Written by Joseph O'Fallon Monday, 02 July 2007 09:13
When I got my hands on The Brag and Cuss, I was looking for the new rock song, and I can safely say there isn't one.
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