Written by Jason Neubauer Friday, 06 August 2010 16:20
They are able to take the music in a direction that is natural to all of them and still retains their individual stylings.
Written by Brett Berliner Thursday, 05 August 2010 09:13
Even with all the guests, the best tracks seem to be those that feature Albarn by himself.
Written by Alex Schreiber Friday, 23 July 2010 16:34
Jesse Merchant talks about the recording studio, his musical friendships, the pure chance of landing a National tour, and what to hopefully expect down the line.
Written by Joe Witthaus Wednesday, 14 July 2010 13:13
Hey Champ’s video is like watching a Lady Gaga dream laced with LSD.
Written by Nicole Madden Monday, 28 June 2010 13:46
The iconic Henry Rollins shares his thoughts on travel, DiY ethic and technology.
Written by Mike Rengel Monday, 28 June 2010 11:50
Austin Collins & the Rainbirds have created a very likeable record, one that offers a heartfelt, earnest rootsiness.
Written by Willie E. Smith Wednesday, 23 June 2010 14:40
Abi Robins and Sean Renner of Morning Bird Records bid St. Louis a fond farewell.
Written by Sarah Boslaugh Wednesday, 23 June 2010 11:04
Written by Laura Hamlett Saturday, 19 June 2010 23:09
The vocals are clean and sung, not screamed; the music’s layered and rich; the album’s a varied yet cohesive listen, one that grows richer the more it’s heard.
Written by Laura Hamlett Saturday, 19 June 2010 22:00
Some songs are nearly just Harcourt and his piano, a sound at which he excels.
Written by Laura Hamlett Thursday, 17 June 2010 22:47
It’s truly a tip-top collection by a top-tier artist.
Written by Laura Hamlett Thursday, 17 June 2010 22:38
“If you’re the nice guy, act like the nice guy.”
Written by Teresa Montgomery Thursday, 17 June 2010 11:40
As different as the album might be from a musical and production stanpoint, the heart of the songs remains the same.
Written by Mike Rengel Thursday, 17 June 2010 11:29
It feels like the only proper way to experience the disc is on a speedboat with a guy sporting a man-perm.
Written by Jim Dunn Tuesday, 15 June 2010 23:41
The classic vs. the brave new Fall comes in the battle between Mark E. Smith’s incomprehensible patter—a stream of consciousness rant, really—and the fact that the band is now on a label that demands at least some structure from its artists.
Written by Pete Timmermann Thursday, 10 June 2010 10:16
His previous records have juxtaposed his very clear, accessible and resonant voice with truly profane/funny/poetic lyrics.
Written by Pete Timmermann Wednesday, 09 June 2010 11:47
The blow of how boring this all is softened somewhat by their better-than-usual choices for visuals to accompany long parts of music that go along with the film.
Written by John Shepherd Tuesday, 08 June 2010 08:41
There’s no question that he will continue to work on projects that will satisfy his muse, and LCD Soundsystem might not yet be done for good.
Written by Jason Neubauer Monday, 07 June 2010 13:02
The sound of Iggy and the Stooges has been a permanent fixture in the collections of rock’n’roll fans since their inception over forty years ago.
Written by Sarah Boslaugh Monday, 07 June 2010 12:48
Elliott Brood’s sound is a nice mix of acoustic and electric which shows that they have mastered a variety of style.
Written by Michele Ulsohn Sunday, 06 June 2010 13:35
Currently in an eight-member line-up, the BJM are finally bringing their unique musical menagerie back to St. Louis for the first time in six years.
Written by Jason Neubauer Friday, 04 June 2010 19:29
Across America brings a refreshing take on revival music with a heavier-handed dose of traditionalism than the likes of most ’50s throwback groups.
Written by Jason Neubauer Friday, 04 June 2010 16:45
The gold mine for those who loved all there was about The Pixies.
Written by David Lichius Tuesday, 25 May 2010 10:46
JSBX is one of the greatest live bands ever. Disagree? To quote Spencer, “you can kiss my ass, because your girlfriend still loves me.”
Written by Bruce Matlock Tuesday, 25 May 2010 10:17
This could be the record that puts the Black Keys headlining arenas worldwide; they have the skills to be as big as the White Stripes.
Written by Nicole Madden Monday, 03 May 2010 19:05
Local musician, Eric Von Damage, discusses the importances of diversity, underground artists, and helps reinforce my confidence St. Louis music.
Written by Laura Hamlett Saturday, 01 May 2010 20:45
It’s not just songs, records; it’s more of a dialogue.
Written by John Shepherd Friday, 30 April 2010 12:36
Even when We Are Wolves misstep slightly on Invisible Violence, the defiant dancing doesn't need to stop.
Written by Brett Berliner Wednesday, 28 April 2010 10:47
Ultraviolet is directionless. Combine that with the weak subject matter, and we are provided little incentive to listen.
Written by John Shepherd Wednesday, 28 April 2010 10:36
Atlas may be the perfect album to provide the background at your next party.
Written by Derek Lauer Monday, 26 April 2010 20:39
Jeff Beck is a guitar icon and it is a privilege to still have a chance to see him at the top of his game.
Written by Amy Burger Tuesday, 20 April 2010 12:49
It made sense to us that we would debut Bruiser Queen, at the Firebird.
Written by Brett Berliner Tuesday, 06 April 2010 16:45
This album has a very strong opening and ending but the middle is skippable.
Written by Laura Hamlett Monday, 05 April 2010 22:54
Living is inspiration. The missteps, the victories, the mundane and the challenging—and at every point in between there is cinema in living.
Written by Nicole Madden Friday, 02 April 2010 13:46
No matter the musical style, in one form or another, Tim is one hell of a storyteller.
Written by Jason Green Wednesday, 31 March 2010 10:05
Sara and I always joke that we have the best audience ever, but that’s because we train them: we tour a lot, and we talk a lot about what we want the audience to be like. We don’t want them to be drunk and belligerent and crazy, we don’t want them to come and expect a bar show.
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