Catherine Howe | What A Beautiful Place (The Numero Group)
We're delivered to this place we don't know, in a time we don't know, and somehow feel like we know exactly where we are. We see the grimey smiles, and the smokehouse soot doubling as […]
We're delivered to this place we don't know, in a time we don't know, and somehow feel like we know exactly where we are. We see the grimey smiles, and the smokehouse soot doubling as […]
Whatever comparisons one wants to apply—and jeez, there's so many trendy artists out there to name-drop—Quixoticism succeeds because it lacks any of the pretensions that so often scour records of this type. […]
Any budding garage band with a sense of humor can come up with a unique moniker, but only the ones with real talent and determination will likely see their name become secondary to their sound. […]
With Axl Rose, we want to remember the Axl in the black-and-white "Sweet Child O' Mine" video, not the bloated, corn-rowed Axl in his last high-profile appearance, winded and sweaty after a semi-rousing set of […]

When Lee and Balsamo experiment, however, they almost always succeed. On "Cloud Nine" and "Lose Control," the band uses sequenced drumbeats courtesy of DJ Lethal (of House of Pain and Limp Bizkit fame) and echo-laden […]
Williamson has a poignant, delicate approach to playing piano that often provides more of the emotional pull than her vocals do.
A few ballads even sneak in to shake up the tempo, which helps the flow of the album even if they aren't particularly memorable individually.
Waters' third album on her own label builds in intensity and curious details until the initial seeming lack of originality gives way to a much more lasting impression. This woman is a keen observer of […]

Having assembled a diversely talented group of musicians in the Clash's Paul Simonon (bass), the Verve's Simon Tong (lead guitar), Afrobeat specialist Tony Allen (drums), and the production of Danger Mouse, Albarn never seems to […]
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