Maleficent (Walt Disney Studios Motion Pictures, PG)
Maleficent perfectly demonstrates how a good idea can be destroyed in the hands of an incompetent director.
Maleficent perfectly demonstrates how a good idea can be destroyed in the hands of an incompetent director.
The humor is hit or miss, and majorly crude and racist in nature—not that I expected anything less from the creator of Family Guy.
The three principal actors are so good, I can forgive the derivative nature of the plot.
It’s a classic case of a director not trusting his material.

With Sling Shot to Heaven, the band has embraced that melancholy and crafted a truly genuine experience.
I could tell the crowd was excited by the intensity of the thuds I felt hit the floor as they all ran to the front of the stage.
Jack Johnson has seemed an inevitable part of Hangout Fest since it started, and seeing him in a pre-headlining spot at dusk was the perfect fit.
What is wonderful is that Mike’s coming back and singing the songs he wrote, especially the earlier songs where we do some great Everly Brothers–style harmonies.

Ciscandra Nostalghia is a true talent in a sea of wanna-be’s and semi-phenoms.
George Mitchell carved a very somber presence on stage, but not an entrancing one, like Ian Curtis had.
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