Tony Bennett | 06.07.17
Bennett is an American classic, a reminder that art and craftsmanship are never mutually exclusive.
Bennett is an American classic, a reminder that art and craftsmanship are never mutually exclusive.
The Rager finds loud music for sad people.
What a wonderful way for Stages St. Louis to open their 31st season!
“I had this dream and I met a woman named Snowdonia.”

311’s following is fueled by their efforts to personally connect with the fan base, endearingly referred to as the “excitable ones.”
A great opera requires that many elements—among them music, story, movement, costumes, and set—must work perfectly together. That’s a tough assignment, but when it happens, the work becomes much more than the sum of its […]
The opening of the King Tut exhibition at the Saint Louis Science Center put me in mind of the “Egyptomania craze” kicked off by the discovery of his tomb in 1922.* Grauman’s Egyptian Theatre in […]
Megan Leavey offers a fresh take on an oft-told tale.

This particular adaptation badly misses the mark.
On the plus side, It Comes at Night is technically accomplished.
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