Free Fire (A24, R)
You never learn enough about any characters to really care what happens to them, and you may feel before long that it would be a favor to mankind if they all died in an explosion.
Sam Riley
On the Road (IFC Films/Sundance Selects, R)
While the movie is about as good as it could have possibly gotten under the circumstances, here it is perhaps just mediocre at best.
Control (The Weinstein Company, R)
Filmed entirely in spectacular black and white, Corbijn paints every frame with sparseness and, sorry for the pun, isolation, and, as you can imagine if you’ve ever seen footage of Curtis performing, his concert footage […]