Under the Sun (Icarus, NR)
Under the Sun reminds us that documentaries are created objects and can never offer a simple view of “reality.”
Under the Sun reminds us that documentaries are created objects and can never offer a simple view of “reality.”
But who would I most like to hear from who have no real biographical works as yet?
2014 has been a strong year for documentaries, and SLIFF isn’t slacking in showing a bunch of good ones.
There are many brilliant moments in Herzog’s film, but also many moments when it goes off track.

The hunters in Happy People seem more fulfilled as human beings than me or pretty much anyone I know.
There’s a little bit of biographical information here, but the majority of Pina’s 103-minute running time is just people dancing in 3-D.
Werner Herzog doesn’t seem terribly interested in making this anything like a mystery, despite the fact that most of the people in the film can’t seem to agree on what actually happened.
More than anything, Into the Abyss seems to be Herzog’s attempt to make an Errol Morris film, with the trademark Morris straight-to-camera interviews, penchant for exploiting strange characters and moments, and odd cuts which serve […]

Herzog’s team came up with some remarkable footage that gives you a sense of actually being in the cave.
Herzog’s trademarks are unmistakably clear in the film; the big one is Cage’s broad performance; pretty much any other director would have reeled him in. Good thing Herzog didn’t, because Cage carries the film; he […]
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